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TUK Black and White Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Black and White Sneaker Creeper that reimagines former creeper sneaker silhouette with bold & modern twists. - TUK Black and White Sneaker Creeper Features one of the bestselling upper styles of black & white leather with classic D-rings & iconic interlace detailing along the front. - The VLK TUK Black and White Sneaker Creeper features a more streamlined and sleeker look compared to past creeper sneaker designs. - In addition to its' updated form, the vulcanized TUK Black and White Sneaker Creeper have removable insoles with a 3mm layer of memory foam and a lightly padded tongue for added comfort. - VLK TUK Black and White Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. Check out theTUK Black and White Sneaker Creeper in full White Sneaker Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black and White Suede Sneaker Creeper - Normal is boring! Get ready to hit the stage or the streets in these vulcanized TUK Black and White Suede Sneaker Creeper that reimagines former creeper sneaker silhouette with bold & modern twists. - TUK Black and White Suede Sneaker Creeper features one of the most-loved upper styles of black cow suede with classic D-rings & iconic white interlace detailing along the front. - TUK Black and White Suede Sneaker Creeper collection features a more streamlined, sleeker look compared to past creeper sneaker designs. - In addition, the vulcanized TUK Black and White Suede Sneaker Creeper have insoles with a 3mm layer of memory foam and a padded tongue for comfort. - VLK TUK Black and White Suede Sneaker Creeper brings to you everyday wearability with a clean style while incorporating the edge & originality that T.U.K. is known for. Want these TUK Black and White Suede Sneaker Creeper taller? Check out the Two-Tone Suede Creepers ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black White Checkered Mondo Creeper V9536 - Get ready to live life in the fast lane with the TUK Black White Checkered Mondo Creeper! - This TUK Black White Checkered Mondo Creeper features a black upper contrasted by a checkerboard pattern vamp and zipper trimming for an extra eye-catching touch. - Made of high quality TUKskin™ material — polishable synthetic faux leather that is both soft and breathable. - TUK Black White Checkered Mondo Creeper Has lace-up fastening and our lightweight VIVA mondo sole that has a platform height approximately 1 ¾” at the heel and 1 ¼” in the front. - The TUK Black White Checkered Mondo Creeper includes removable memory foam padding for extra comfort.   If you like these Black and White Checkered TUK Creepers check out these A3017 TUK Pointed Creepers !   T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Suede Mondo Boot - These suede boots are a combination of two T.U.K. Classics; A 7 eye suede Anarchic boot upper combined with our Viva Mondo creeper soles and BOOM! The result is the new funky TUK Black Suede Mondo Boots! - The TUK Black Suede Mondo Boot platform measures 1.75” at the heel with a 1.25” tall front. - The new TUK Black Suede Mondo Boots creeper sole is nice and lightweight so you can be quick and comfy while you’re beatin’ the streets. - This TUK Black Suede Mondo Boot features a rubber outsole, perfect for traction. If you liked these TUK Black Suede Mondo Boot, check out the Black Platform Heel ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Pointed Mary Jane Creeper - Take center stage in on pointe style with these TUK Black Pointed Mary Jane Creeper with a ballet-style that delivers a whole lot of edgy panache. - Made of our high quality TUKskin™ material — polishable synthetic faux leather that is both soft and breathable. - TUK Black Pointed Mary Jane Creeper features a pointed-shaped toe and multi-strap closure for an adjustable fit. - Sits on top of a low sole creeper platform that measures 1 ¼” at the heel and ¾” in the front. - The TUK Black Pointed Mary Jane Creeper has removable memory foam padding for added comfort. Check out the Pointed Ankle Strap Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Black Velvet Low Sole Creeper - The TUK Black Velvet Low Sole Creeper are a luxe update and vegan friendly alternative to one of our bestselling classic creeper styles. - This TUK Black Velvet Low Sole Creeper features a black velvet upper that sits on our lightweight VIVA low sole design. - TUK Black Velvet Low Sole Creeper sole height is about 1 ½” at the heel and ¾” in the front. - Has removable gel insoles for added comfort, so these TUK Black Velvet Low Sole Creeper will be one of the most comfortable shoes. If you love the leather feel over the velvet on the TUK Black Velvet Low Sole Creeper, check out the Leather Low Sole Creepers ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Two Tone Suede Mondo Creeper - These TUK Two Tone Suede Mondo Creeper have contrasting white interlace. - This TUK Two Tone Suede Mondo Creeper features the new lightweight and more flexible soles in our traditional 1 7/8" Mondo height. - These TUK Two Tone Suede Mondo Creeper have a white woven interlace, and silver metal D-rings. - With a padded insole for comfort, the TUK Two Tone Suede Mondo Creeper will feel comfortable with every step. If you'd like purple on the TUK Two Tone Suede Mondo Creeper, check out these TUK Vegan Brogue Mary Janes ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

Dr. Martens Black Smooth 14-Eye Boot - Lace 'em up high: the classic Black Smooth 14-Eye Boot is pure dedication to uncompromising style. - This Black Smooth 14-Eye Boot is made with all the classic Doc's DNA, including Smooth, a lightly textured and highly durable leather with a soft sheen. - Black Smooth 14-Eye Boot is made with classic Doc's DNA, including grooved edges, yellow stitching and heel-loop. - Built on the iconic Dr. Martens air-cushioned sole, Black Smooth 14-Eye Boot is oil and fat resistant, with good abrasion and slip resistance. Use the Wonder Balsam to keep your Black Smooth 14-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, of new ideas, a cultural explosion and eventually a social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens 1B99 Black Virginia 14-Eye Boot - The Black Virginia 14-Eye Boot is a classic punk style knee high boot, designed with soft, fine-grained leather treated to feel smooth and supple. - Black Virginia 14-Eye Boot is made with classic Doc's DNA, including grooved edges, visible stitching and heel-loop. - Built on the iconic Dr. Martens air-cushioned sole, Black Virginia 14-Eye Boot is oil and fat resistant with good abrasion and slip resistance. - The 1B99 Black Virginia 14-Eye Boot has tall eyelets for a tall attitude. Use the Wonder Balsam to keep your Black Virginia 14-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens 101 Black Vintage Smooth 6-Eye Boot - With 6 eyes, the Vintage Smooth 6-Eye Boot sits lower on the ankle — but is still an instantly recognizable Dr. Martens silhouette. - Clean, sharp and solid, the Vintage Smooth 6-Eye Boot combines utilitarian work wear with classic lines, contrast puritan stitching and unmistakable attitude. - The Vintage Smooth 6-Eye Boot DNA is fully intact, including grooved edges, a branded heel-loop and visible stitching. - Vintage Smooth 6-Eye Boot is built on our iconic, comfortable air-cushioned sole, that's oil and fat resistant, with good abrasion and slip resistance. Use the Wonder Balsam to keep your Vintage Smooth 6-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade when Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens Green Smooth 8-Eye Boot - The Green Smooth 8-Eye Boot is the original Dr. Martens boot. - Green Smooth 8-Eye Boot is made with the durable Dr. Martens Smooth leather. - Its instantly recognizable Green Smooth 8-Eye Boot DNA looks like this: 8 eyes, classic Dr. Martens Smooth leather, grooved sides, a heel-loop, yellow stitching, and a comfortable, air-cushioned sole. - Built on the iconic Dr. Martens air-cushioned sole, the Green Smooth 8-Eye Boot is oil and fat resistant with good abrasion and slip resistance. Use the Wonder Balsam to keep your Green Smooth 8-Eye Boot clean, protect the leather, and keep it soft and supple. Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens 8065 Black Smooth Platform Mary Jane - Meet the 8065 Black Smooth Mary Janes: a quintessential schoolgirl look reinterpreted with uncompromising style, like decorative broguing and double straps with horseshoe buckles. - These Black Smooth Mary Janes retain plenty of Dr. Marten's DNA, like grooved edges, yellow stitching and Smooth leather, a lightly textured, highly durable leather with a soft sheen. - The women's Black Smooth Mary Janes is built on our iconic air-cushioned sole, that's oil and fat resistant, with good abrasion and slip resistance. - Durable and solid, the Dr. Martens 8065 Black Smooth Platform Mary Jane sole is secured using one of the finest construction methods available: the Goodyear Welt. If you like the Black Smooth Mary Janes, check out these other 8065 Mary Janes ! Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The boots were branded as ‘Airwair’ and came distinctly with a black yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens 1461 Black Smooth 3-Eye Shoe - This is our classic Black Smooth 3-Eye Shoe. - The second style that Dr. Martens made, the unisex Black Smooth 3-Eye Shoe was crafted for industry — and made rebellious by generations of non-conformists. - Black Smooth 3-Eye Shoe is made with classic Docs DNA, including grooved edges, yellow stitching and Smooth, our original durable leather - Black Smooth 3-Eye Shoe is constructed on the iconic and comfortable Dr. Martens air-cushioned sole - This Black Smooth 3-Eye Shoe is built to last with a durable Goodyear welt. Top up the Black Smooth 3-Eye Shoe with the recognizable 1460 Black Smooth 8-Eye Boot ! Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time for the birth of such a functional work-boot. First worn by postmen and factory workers, Dr. Martens’ initial years of existence was very much that of a simple work-wear boot, selling solid quantities to Britain’s working classes. Then and incredible shift occurred. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. While Britain was constantly pursed by anti-government riots and social resentment, youth culture managed to rise up from the streets with yet more highly visual and individual tribes such as psychobilly, grebo and scooter boys. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens Cherry Red Smooth 3-Eye Shoe - This is our classic Cherry Red Smooth 3-Eye Shoe. - The second style that Dr. Martens made, the unisex Cherry Red Smooth 3-Eye Shoe was crafted for industry — and made rebellious by generations of non-conformists. - Cherry Red Smooth 3-Eye Shoe is made with classic Docs DNA, including grooved edges, yellow stitching and Smooth, our original durable leather - Cherry Red Smooth 3-Eye Shoe is constructed on the iconic and comfortable Dr. Martens air-cushioned sole - Built to last, the Cherry Red Smooth 3-Eye Shoe features a durable Goodyear welt. Top up the Cherry Red Smooth 3-Eye Shoe with the Cherry Red 8-Eye Boot ! Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time for the birth of such a functional work-boot. First worn by postmen and factory workers, Dr. Martens’ initial years of existence was very much that of a simple work-wear boot, selling solid quantities to Britain’s working classes. Then and incredible shift occurred. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. While Britain was constantly pursed by anti-government riots and social resentment, youth culture managed to rise up from the streets with yet more highly visual and individual tribes such as psychobilly, grebo and scooter boys. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens 3989 Brogue BEX Black and White 3-Eye Shoe - Take a larger step in the platform Brogue BEX Black and White 3-Eye Shoe! - First made in the mid-'60s, the unisex 3989 Brogue BEX Black and White 3-Eye Shoe features a unique combo of black-and-white wingtip style with thick, extra-chunky AirWair™ Bouncing Soles — a rebellious union of proper menswear, counterculture attitude and pure style. - Brogue BEX Black and White 3-Eye Shoe is made with classic Doc's DNA, including grooved edges and visible stitching. - Built on the iconic Dr. Martens air-cushioned sole, Brogue BEX Black and White 3-Eye Shoe is oil and fat resistant with good abrasion and slip resistance. The Brogue BEX Black and White 3-Eye Shoe can also be found on the 1460 BEX Platform 8-Eye Boot ! Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time for the birth of such a functional work-boot. First worn by postmen and factory workers, Dr. Martens’ initial years of existence was much that of a simple work-wear boot, selling solid quantities to Britain’s working classes. Then and incredible shift occurred. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Dr. Martens Vegan Black Felix Rub Off 8-eye Boot - The Vegan Black Felix Rub Off 8-Eye Boot, the classic unisex 8-eye 1460 boot — that's 100% vegan. - This Vegan Black Felix Rub Off 8-Eye Boot is a high-shine, high-shine synthetic material with a premium feel and a subtle, two-tone finish. - 100% vegan material and construction, the Vegan Black Felix Rub Off 8-Eye Boot are perfect for all animal lovers. - Vegan Black Felix Rub Off 8-Eye Boot retains all the classic Doc's DNA, like grooved sides, yellow stitching and a yellow heel-loop - Built on the iconic Dr. Martens air-cushioned sole, the Vegan Black Felix Rub Off 8-Eye Boot is oil-and-fat resistant with good abrasion and slip resistance If you're a vegan activist and love Vegan Black Felix Rub Off 8-Eye Boot, check out the Vegan Rub Off 3-Eye Shoe ! Dr. Martens History Starting in 1901, the small company began in Wollaston, Northamptonshire in the English Midlands. They were at the location of the epicenter of the English shoe industry and for six decades the footwear earned a solid reputation as sturdy, durable work boots. In 1945, a 25-year-old soldier, while trying to heal from a broken foot, created a unique air-cushioned sole, opposed from traditional rough leather sole, to aid his recovery. Using a salvaged cobbler’s last and a needle, he made a prototype shoe and revealed it to an old university friend and mechanical engineer. Both then became great business partners by using disused military supplies and began producing their shoes with unique soles. By 1947 they began formal production and within a decade they had a great going business, despite mainly selling to older women. In 1959, they decided it was time to advertise their revolutionary footwear invention in overseas magazines. While he was scanning the pages of a shoe trade magazine, his eye was caught by the manufacture advertisement for their revolutionary air- cushioned sole. Several different licenses were acquired and a few characteristic changes were made, including an altered heel, a bulbous but simple upper, a distinctive yellow welt stitch, a two tone grooved sole edge and a unique sole pattern. The new boots were now branded as ‘Airwair’ and came distinctly with a black and yellow heel loop representing the brand name and the slogan “With Bouncing Soles” which was printed based on the manufacturer's own handwriting. With its name being created off the date they were first created, April 1st, 1960, the eight-eyed 1460 Dr. Martens boot had mad its first arrival. The decade in which the Dr. Martens boot was created, there was an eccentric wave of change, new ideas, cultural explosion and eventually social revolution. This radical era also witnessed flamboyant and often exotic fashions and styles, an odd period of time for the birth of such a functional work-boot. First worn by postmen and factory workers, Dr. Martens’ initial years of existence was very much that of a simple work-wear boot, selling solid quantities to Britain’s working classes. Then and incredible shift occurred. Without any insight as to why or how, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear Dr. Martens as a symbol of his own working class pride and rebellious attitude. Doing so enabled both first generation skinheads and Townshend to alter the course of the brand’s history, which in turn changed the classic work-wear boot into a subcultural essential. Constant sales of smaller men’s size boots also induced Dr. Martens to create a street trend for girls, who would buy then customize with florals, the simple 8-hole boot. Meanwhile, US Hardcore musicians touring the UK began to take pairs of DM’s back to the west coast, thus starting American subculture’s adoption of the brand. Without music, Dr Martens would have remained a workwear boot. The music of tribes who wear Dr. Martens has become inseparable from the brand itself.

Blue and Gray Plaid Ivy Cap - THIS IS A WELL CONSTRUCTED CAP MADE TO LAST, IT IS THE PRICED WOOL PLAID IVY CAP ON THE MARKET BAR NONE, YOU WILL NOT BE DISAPPOINTED.

Brown and Gray Plaid Ivy Cap - THIS IS A WELL CONSTRUCTED CAP MADE TO LAST, IT IS THE PRICED WOOL BROWN AND GRAY PLAID IVY CAP ON THE MARKET BAR NONE, YOU WILL NOT BE DISAPPOINTED.

TUK Gray Suede Sneaker Creeper - These TUK Gray Suede Sneaker Creeper are ultimate every day and go-with-everything sneaker to hit the road for all of your adventures in style. - This TUK Gray Suede Sneaker Creeper features a cool gray cow suede upper with our classic interlace detail and D-rings. - These Vulcanized TUK Gray Suede Sneaker Creeper gives a sleek, lightweight, streamlined design compared to our traditional high sole creepers. - TUK Gray Suede Sneaker Creeper has a lightly padded tongue along with removable memory foam insoles for added comfort. We've also got these TUK Gray Suede Sneaker Creeper dark Red Suede Creeper Sneakers ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

TUK Red Suede Sneaker Creeper - The ultimate every day and go-with-everything sneaker to hit the road for all of your adventures in style is the TUK Red Suede Sneaker Creeper. - TUK Red Suede Sneaker Creeper features a rich dark red suede upper with our classic interlace detail and D-rings. - The Vulcanized TUK Red Suede Sneaker Creeper collection gives a sleek, lightweight, streamlined design compared to our traditional high sole creepers. - TUK Red Suede Sneaker Creeper has a lightly padded tongue along with removable memory foam insoles for added comfort. The Gray Suede Sneaker Creepers are just as fashionable as the TUK Red Suede Sneaker Creeper ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.

Heather Charcoal Cuff Beanie - The Charcoal Cuffed Beanie is a plain, cuffed knit cap beanie meant to fit tight on your head and is made of high bulk acrylic. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Cuffed Beanie !

Black Cuff Beanie - The Black Cuffed Beanie is a plain, cuffed knit cap beanie meant to fit tight on your head and is made of high bulk acrylic. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Cuffless Watch Cap Beanie !

Heather Charcoal Cable Beanie - The Heather Charcoal Beanie is a short, snug fit knit cap beanie meant to fit tight on your head and features a cuffless, cable knitted design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Cuffless Watch Cap !

Black Cable Beanie - The Black Beanie is a short, snug fit knit cap beanie meant to fit tight on your head and features a cuffless, cable knitted design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Cuffless Watch Cap Beanie !

Heather Charcoal Cuffless Watch Cap Beanie - The Heather Charcoal Cuffless Watch Cap Beanie is a short knit cap beanie meant to fit snugly on your head and features a soft, lightweight fabric and a braided design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Cuffless Watch Cap Beanie !

Black Cuffless Watch Cap Beanie - The Black Cuffless Watch Cap Beanie is a short knit cap beanie meant to fit snugly on your head and features a soft, lightweight fabric and a braided design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Olive Watch Cap Beanie !

Heather Charcoal Watch Cap Beanie - The Heather Charcoal Watch Caps Beanie is a cuffed, snug fit, knit cap made with soft, lightweight fabric and features a braided style design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Olive Watch Cap Beanie !

Black Watch Cap Beanie - The Black Watch Caps Beanie is a cuffed, snug fit, knit cap made with soft, lightweight fabric and features a braided style design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Brown Watch Cap Beanie !

Brown Watch Cap Beanie - The Brown Watch Caps Beanie is a cuffed, snug fit, knit cap made with soft, lightweight fabric and features a braided style design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Black Watch Cap Beanie !

Red Watch Cap Beanie - The Red Watch Caps Beanie is a cuffed, snug fit, knit cap made with soft, lightweight fabric and features a braided style design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Olive Watch Cap Beanie !

Olive Watch Cap Beanie - The Olive Watch Caps Beanie is a cuffed, snug fit, knit cap made with soft, lightweight fabric and features a braided style design. - This beanie is versatile enough to be used in cold weather or everyday use. - Stay warm, snug and looking good in this watch cap beanie. Check out the Red Watch Cap Beanie !

3" Ring Bondage Belt - This 3" Ring Bondage Belt is designed of multiple rings attached to each other depending on the size! - Keep in mind, this is not worn through belt loops, so you'll need to order a larger size than your waist size. - Measure your hips where you'll be wearing this to get the size you need. Measurements: -S = 28"-30" -M = 32"-34" -L = 34"-36" -XL = 36"-38" -XXL = 38"-40" If you liked this bondage belt, check out Pentagram Link Leather Belt !

Women's Black Full Zip Hoodie - Super soft women’s full zip hoodie. - The fit is standard not too slim not too baggy, right in the middle. - The best priced women's hoodie on the market. If you like this black hoodie, check out the Women’s Burgundy Full Zip Hoodie !

Women's Heather Charcoal Full Zip Hoodie - Super soft women's full zip hoodie. - The fit is standard not too slim not too baggy, right in the middle. - The best priced women's hoodie on the market. If you like this Heather Charcoal hoodie, check out the Women’s Burgundy Full Zip Hoodie !

Women's Burgundy Full Zip Hoodie - Super soft women's full zip hoodie. - The fit is standard not too slim not too baggy, right in the middle. - The best priced women's hoodie on the market. If you this burgundy hoodie, check out the Women’s Black Full Zip Hoodie !

TUK Black Pointed Ballet Creeper - Take center stage in on pointe style with these TUK Black Pointed Ballet Creeper that delivers a whole lot of edgy panache. - This TUK Black Pointed Ballet Creeper features vegan friendly all-black faux sheep suede upper with pointed toe construction and ankle strap closure for an adjustable fit. - TUK Black Pointed Ballet Creeper sits on a low sole creeper platform that measures 1 ¼” at the heel and ¾” in the front. - TUK Black Pointed Ballet Creeper has removable memory foam padding for added comfort. Compare these TUK Black Pointed Ballet Creeper to the Black Brogue Mary Janes ! T.U.K./Creeper History Originally from Northampton, England, T.U.K. has moved to the sandy shores of San Diego, CA since 1990. English footwear since the 1890s, brought the distinctly British aspects of the shoe and found the greatest inspiration and influence in the ever growing Southern California punk rock scene. The main result was: a one-of-a-kind distinctive brand of footwear that fosters punk roots across the entire world. T.U.K.’s first retail store was opened in 1991, selling their very own shoes in-house. Demand sudden began to grow, and soon T.U.K. was selling its products worldwide. T.U.K. fabricates a variety of footwear from women’s high heels to unisex sneakers, but the most popular design is, without a doubt, the creeper platform design. Made from crepe rubber during WWII, the thick creeper-sole helped soldiers in the deserts of North African across the hot and sandy terrain. John Ayto claims to have labeled the name ‘brothel creeper’ during those wartime years. The Smithsonian Museum suggests that the crepe in the thick sole might have provided the creeper name towards the shoe. It can also possibly be associated with Ken Mackintosh’s dance tune which had great popularity in 1953 called “The Creep.” Like fashion does, it followed the foot steps of these soldiers and the thick soles began to catch on in England. In London, the decades following the war gave way to a kaleidoscopic cultural underground with subcultures exploding with a variety of styles during the time.Influenced by the Edwardian dressing manner of the Dandies, the Teddy Boy style grew along with the introduction of American rock n’ roll music. Teds wore even bulkier, draped jackets, and high-wasted trousers. They often wore their collars loose and often styled up their outfits with very flamboyant detailing like Bolo Ties and velvet trim. The creeper shoe was also well worn by the Ton-Up boys from the 1950s and later on by the rockers of the ’60s, who enjoyed wearing them as an alternative shoe when they weren’t riding their motorbikes. Greased hair was the hair style of preference. And if you looked down and your feet at any moment, you’d be sure to see the Teds boasting their fine, slickly polished oxfords, or the crepe-soled classic, platformed creepers. And as we know, through the ‘60s and ‘70s was the rise of the Rockers and the Mods, who took hold their liking in classic Teddy Boy-centric garb ebbed and flowed, and it wasn’t until the great rise of punk around the mid ‘70s when the creeper was once again seen on the feet of many, an uproar that surged well into the ‘80s, thrived in the ‘90s, and eventually exploded with the great expansion of the world-wide web. The creeper shoe has since then been adopted by subcultures like indie, ska, punk, new wavers, psychobilly, rockabilly, greasers and goth, Japanese Visual Kei, and was also worn by Bananarama, and the singer of Republica Saffron. Now more than ever before, outsider styles and subcultures hold the style inspired around the whole world, and with its historical background that is deeply woven in the English style and at the West Coast punk way of living, T.U.K. is able to perfectly represent and illustrate the culture clash/expansion of the past few decades.